Current Work

A Closer Look
After recent years focusing on the built environment, my current work sees a return to a subject of great personal meaning – the landscape around where I grew up. In what I feel is a deepening preoccupation, I am driven to further explore my perception of the mysterious, sometimes primeval mood of the Australian bush. The deeper I go, the more I sense the pantheistic harmony of nature and the presence of an unseen ‘otherness’, although I am quickly reminded that thoughts of the sublime belong mostly to poets.

I call this new body of work, A Closer Look, to reflect my efforts to further examine what I find so elusive in the landscape. Apart from its mysterious interconnectedness, a recurring theme for me is nature’s irrepressible urge to regenerate and renew. I further explored this in 1999 in a series of paintings that hung abutting each other, to create long works in which the viewer experienced a series of intertwined relationships - what I call a continuum. I feel this most strongly in the Australian bush, particularly in the way trees group together. Slightly threatening shapes in dark shadows, but suffused with fleeting moments of colour, my metaphor for the never-ending process of rebirth. To that end, I am working on a new continuum of paintings drawn from the landscape around where I live.

 
The earth never tires,
The earth is rude, silent and incomprehensible at first,
Nature is rude and incomprehensible at first,
Be not discouraged, keep on, there are divine things well envelop’d,
I swear to you there are divine things more beautuful
than words can tell.
— Walt Whitman, Song of the Open Road, 1856